A Neurological basis for tonal space
I recently thought of a rough hypothesis for the neurological basis of tonal music: the application of place cells and grid cells to the navigation of tonal space. A lack of relevant hits on the hypothesis' key phrases using Google suggests that it has not previously been proposed.
To simplify egregiously, place cells, found in the hippocampus, remember a "place" in the spatial environment, while grid cells, found in the entorhinal cortex, form a hexagonal grid, and remember the relationships among objects in the spatial environment.
From an evolutionary perspective, having good spatial memory confers a considerable survival advantage on an individual, so it's no surprise that humans have neurological hardware that is optimized for this purpose. Such optimized hardware is often borrowed for related task. I hypothesize that the mind borrows this spatial-memory hardware to process musical information, thereby enabling music to be processed as "movement through tonal space."
Tonal space can also be represented as hexagonal grid, for example as a isomorphic keyboard, of which a subset of notes form a hexagonal tonnetz. If such a tonnetz is tied to specific pitches, then it maps to a pitch space.
However, only one fixed pitch is necessary to map a interval-based tonal space to a pitch space. Consider, for example, the hexagonal isomorphic note-layouts (keyboards) described in the spreadsheet JIMS_Note.xls. These all describe intervals, not pitches. To describe pitches, the origin note [0, 0] needs to be associated with a specific reference frequency (e.g., 440Hz).
With a grid cell describing an isomorphic interval-layout, any given interval, sequence of intervals (melody), or stack of intervals (chord) could be described/recognized by a specific pattern of points on that grid. If any one such point were associated with a specific frequency via a place cell, then the same interval-pattern could be described/recognized by the same grid cells, despite its transposition by octave, key, or tuning.
I have no evidence whatsoever for this hypothesis, nor any counter-evidence. I only thought of it earlier this week.
Many studies have shown that musical training stimulates the development of those parts of the brain dedicated to spatial-temporal processing. The grid & place cell system may be the mechanism by which this stimulation is effected.
But, what do I know? ;-)
To simplify egregiously, place cells, found in the hippocampus, remember a "place" in the spatial environment, while grid cells, found in the entorhinal cortex, form a hexagonal grid, and remember the relationships among objects in the spatial environment.
From an evolutionary perspective, having good spatial memory confers a considerable survival advantage on an individual, so it's no surprise that humans have neurological hardware that is optimized for this purpose. Such optimized hardware is often borrowed for related task. I hypothesize that the mind borrows this spatial-memory hardware to process musical information, thereby enabling music to be processed as "movement through tonal space."
Tonal space can also be represented as hexagonal grid, for example as a isomorphic keyboard, of which a subset of notes form a hexagonal tonnetz. If such a tonnetz is tied to specific pitches, then it maps to a pitch space.
However, only one fixed pitch is necessary to map a interval-based tonal space to a pitch space. Consider, for example, the hexagonal isomorphic note-layouts (keyboards) described in the spreadsheet JIMS_Note.xls. These all describe intervals, not pitches. To describe pitches, the origin note [0, 0] needs to be associated with a specific reference frequency (e.g., 440Hz).
With a grid cell describing an isomorphic interval-layout, any given interval, sequence of intervals (melody), or stack of intervals (chord) could be described/recognized by a specific pattern of points on that grid. If any one such point were associated with a specific frequency via a place cell, then the same interval-pattern could be described/recognized by the same grid cells, despite its transposition by octave, key, or tuning.
I have no evidence whatsoever for this hypothesis, nor any counter-evidence. I only thought of it earlier this week.
Many studies have shown that musical training stimulates the development of those parts of the brain dedicated to spatial-temporal processing. The grid & place cell system may be the mechanism by which this stimulation is effected.
But, what do I know? ;-)
Labels: music cognition


1 Comments:
That's pretty cool, from what limited knowledge I have as well, it would make sense for musical ideas to be related to the grid cells seeing as they are independent of starting point, orientation, or "head tilt". And maybe those with perfect pitch have musical thought processed in the place cells?
But what do we know? ;P
I'll respond to this in the Notation forum as well.
P.S. With the software you are developing, be sure to let me know if you need any trials run or testing done, I would be happy to do you this "favor". (This would likely be as entertaining for me as it would be beneficial to you.)
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